The latest whisky in the annual series to celebrate the legacy of George Urquhart – Gordon & MacPhail’s last ever cask from 1959 – has been launched this week. Matured in a Gordon & MacPhail cask for more than six decades, the Mr George Legacy 1959 from Glen Grant Distillery features a genealogy chart on the... Continue Reading →
Tasting Notes: Bowmore – 18 Years Old
The scotch whisky industry is awash with rules. Some are written. Others are not. Tradition plays a huge part in the scotch business and certain names command certain traditions. Nowadays, when you say Islay, you’re pretty much gonna think of peat. When you think of core range releases, you’re gonna think 12, 15, and 18... Continue Reading →
Tasting Notes: Jura – Red Wine Cask Edition
Since the 2018 relaunch of the main Jura single malts line-up, their “Signature Series” has been gradually expanding. Starting in 2020, that original roster saw a subset of “Cask Editions” being added to their output. This started with the Red Wine Cask Edition, (reviewed here), then the Winter Cask Edition (essentially a Sherry cask finished... Continue Reading →
Tasting Notes: Dailuaine – 16 Years Old (Flora & Fauna)
The Dailuaine distillery (pronounced “doll-you-inn”) was founded in 1852 and has gone on to be a mainstay of the scotch industry, even if it’s own name isn’t that regularly adorned across the shelves of the whisky world. In its 170 years, the distillery has been through its fair share of ups and downs with closures,... Continue Reading →
Tasting Notes: Isle of Raasay – Single Malt (R2.1)
Nestled just above the northern shores of the Isle of Skye, lies the Isle of Raasay. The island is said to be the home of hundreds of years of illicit distilling but in September 2017, the first legal spirits started to run from a new custom made still house on the island. Flash forward to... Continue Reading →
Tasting Notes: Bowmore – The Changeling (33 Years Old)
Regularly hitting the scotch headlines in recent times has been Bowmore’s design collaboration with Aston Martin (see the review of their 22yo Master’s Selection here) but they are also sporting a fantastic visual partnership with revered Glasgow graphic artist Vincent Deighan, better known as Frank Quitely. [ed: the amount of times that I have seen... Continue Reading →